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Glossary

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
A
Air:
Tune or melody, often slow, often played on bagpipes or fiddle.

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B
Bagpipes:
A wind instrument with a chanter on which the music is played and with fixed note drones. Early reeded pipes were known in Egypt and the Near East from before 2500 BC. There is a piper pilgrim mentioned in Chaucer's Canterbury Tales. Scotland has a wealth of classical music for the Great Highland Bagpipe, which was also used to motivate Scottish troops before battle.

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C
Chanter:
The pipe with fingerholes on which the melody is played. Early drawings show it being played without a bag and with the reed directly in the mouth.

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D
Drones:
Scottish bagpipes have 2 tenor and 1 bass fixed note drones which can however be tuned to themselves and to the chanter.

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E
Exercise:
Highland dancing is very energetic, as is Scottish Country dancing, and as well as being enjoyable is also a good form of exercise.

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F
Footwork:
In Highland dancing competitions dancers are judged on three basic areas: timing, technique and general deportment. Timing is the ability to follow the rhythm of the music in the dance. Technique is primarily the footwork, and co-ordination with head, arm and hand movements. The positioning of the feet is of great importance as however graceful or agile the dancer, it is the neatness and accuracy of the foot positions which give the dances their essential character.

G
Galas:
In Scotland throughout the summer nearly every town and village has its own gala which tends to be a mixture of piping and dancing competitions and children's races and competitions, sometimes preceded by decorated floats paraded through the streets.

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H
Highland Fling:
One of the oldest Highland dances, said to date back to the times when Highlanders hunted deer for food and is meant to celebrate the killing of a stag. Occasionally caricatured as a frantic whole-of-body movement attempting to ward off the fiendish Highland midges!

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I
Irish Jig:
Historical energetic Irish dance, the Scottish version of which is a competition dance and is said to depict the actions of an angry Irish washerwoman when her husband returns home drunk from the pub. Contrary to popular belief, the jig is not exclusive to Ireland and there are many Scottish country dances danced in jig time.

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J
Judging:
Based on the performance of the dancer the judge decides on the winner on the following criteria: deportment, elegance, strength, and precision.

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K
Kilt:
The Kilt is My Delight is a 32 bar Scottish reel.

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L
Lilt
Full title: the Scottish Lilt. Said by many to to exemplfy, and to be the most graceful of, the Scottish National dances.

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M
Mairi's Wedding:
A traditional Hebridean Gaelic song written in 1935, and a Scottish Country dance 40 bar reel.

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N
National dances:
Many of the National Dances, including for example 'Blue Bonnets' and 'Highland Laddie' were actually devised in the late 19th century by a man called Ewan MacLachlan who studied the ballet in France before returning to Scotland.

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O
Over the Sea to Skye:
A traditional Scottish song also known as the Skye Boat song. Bonnie Prince Charlie sailed (or, according to legend, rowed) with Flora MacDonald from South Uist to Skye.

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P
Pas de bas:
One of the first steps learnt by Highland dance beginners for the Highland Fling and Sword dance.

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Q
Quadrille:
The Quadrille or "Quadrille de Contre Danse" was originally a card game for four people but the name was given to this dance about 1740 and was a very lively dance. It became fashionable in England about 1813.

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R
Regulation:
Highland Dance Competitions are strictly controlled, both as to dress and as to steps. The 2 main bodies in Scotland are the Scottish Official Board of Highland Dancing (SOBHD) and the Scottish Official Highland Dance Association (SOHDA ) who can both be found on the Web.

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S
Sheann Truibhs:
Pronounced "shawn trews", this Gaelic phrase means "old trousers". Following the unsuccessful uprising of 1745 by Bonnie Prince Charlie, Highlanders were forbidden to wear the kilt. It wasn't until the repeal of the Act of Proscription in 1784 that Scots were once again allowed the right to wear their tartan and play the bagpipes. The first slow movements of this dance are said to depict a Highlander kicking off the hated trousers, and the later quick steps express his delight at once more being allowed to don his beloved kilt.

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T
Tuition:
I
f want to join a dance class and don't know of a teacher in your area, contact the Scottish Official Board of Highland Dancing (S.O.B.H.D.) whose Edinburgh address and telephone number you will get on the Web.

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U
Underskirts:
Underskirts, known as underkilts, are now being marketed for wearing under men's kilts. Check them out on http://www.jdez.com/men/underkilt/.

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V
Viola:
The viola is a unique instrument as it has its own musical clef and is the alto of the orchestra. Compared to the violin it has a much richer and more mellow tone because the body of the instrument is bigger.

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W
Waltz:
Waltz is a common name for ballroom and folk dances in 3/4 time, done primarily in closed position. The most common basic figure of Waltz is a full turn in two measures using three steps per measure. It first became fashionable in Vienna around the 1780s, spreading later to many other countries.

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X
Xylophone:
A percussion instrument which was first used in the orchestra just over a century ago. It is a tuned instrument made of hardwood bars in graduated lengths set horizontally on a metal frame. With the larger, lower-sounding bars on the left, the notes of the xylophone are laid out much like a piano keyboard. Striking the bars with hard mallets produces a bright, sharp sound. It was originally modeled after an African instrument and its name is Greek, meaning "wood sound".

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Y
Yoga:
A system of Hindu philosophy showing the means of emancipating the soul from further reincarnations and uniting it with the supreme being. A number of physical and mental systems are based on this, including the holding of special postures for long periods of time.

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Z
Zouk:
A style of dance music, originally from the French Antilles, combining Latin American, African, and Western disco rhythms.

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To contact me, please either

phone 01786 - 474394

or email: alan.prentice@btopenworld.com

 
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